Maya Jewell Zeller
Raised by Ferns
Born in a Pacific Northwest gas station to itinerant, countercultural parents, Maya Jewell Zeller came of age in a landscape where poverty, wildness, and self-reliance intertwined. Raised by Ferns traces the path of a feral girl craving both freedom and safety to a middle-class adult life shaped by academia, motherhood, and uneasy privilege.
Refusing tired narratives of bootstrap triumph, Zeller instead renders rural America with intimate complexity. She writes with sharp lyricism and attention about what it means to live between worlds—material scarcity and cultural wealth, inherited distrust and institutional legitimacy. From leaking rentals to library stacks, from ferns and fire codes to scholarship and marital strife, Zeller’s life resists easy packaging yet finds form in layered essays that explore the complicated pursuit of belonging.
Raised by Ferns offers a vital, compelling new take on the forces that shape identity and the choices that define home. It is a story of survival, but more importantly, of questioning for what—and who—it is worth surviving.
Forthcoming early 2026. Subscribe and follow for updates.
pub date: early Spring 2026
5.5 x 8.5 · 216 pages
$23.95 US · $32 CAN
ISBNs: TK
DISTRIBUTION:
1) Ingram Content Group
2) direct from Porphyry Press
(Friesens prints our offset runs)
what people are saying
“Lovely, vital writing that challenges and makes personal the tired conceptions and biases we have about poverty.”
—JESS WALTER, author of The Cold Millions and Beautiful Ruins
“Not since Maggie Nelson’s The Argonauts has someone redefined memoir so completely and beautifully as Maya Jewell Zeller does with Raised by Ferns. Zeller vividly recounts an itinerant childhood in the bracken and moss of Northwest watersheds, where the idea of “home” was an elusive, shifting, mercurial landscape, and freedom and boundlessness was lauded over consistency and stability. The prose shifts between the registers of Zeller's original language—the language of lichen, rocks, and fern, of poverty, place, and self-reliance—with the registers she learns and masters and doubts, including those of the reluctant middle-class homeowner, the eloquent scholar, the accomplished author. This is a memoir unparalleled for its intelligence, its poetry, its self-awareness, its generosity, its critique of defined boundaries and binding definitions. No book has so thoroughly changed me as this one did: Raised by Ferns urges us to converse with our past selves and examine, mourn, and celebrate the ways in which they form the wondrous selves we are now.”
—SHARMA SHIELDS, author of The Cassandra and Sasquatch Hunter’s Almanac
on Zeller’s prior books of poetry:
“Maya Jewell Zeller's poems reverberate in my heart long after I've read and heard them. From lines, sounds, and visions, she creates little worlds, and I can't wait to see this brilliant mind creating the full universe of a book-length narrative.”
—ELISSA WASHUTA, author of White Magic and My Body is a Book of Rules
“A luminous meditation on growing up with empty pockets but a heart full of wildflowers, this memoir wanders barefoot through forests, riverbeds, and verses, gathering wisdom like stones. It’s not about what was lacked, but what was found—in nature, in language, and in the quiet, never-ending act of becoming. I can’t stop thinking about this book.”
—JAMIE FORD, New York Times bestselling author of Hotel on the Corner of Bitter and Sweet
“I couldn’t put Raised by Ferns down. Maya Jewell Zeller writes so beautifully about the deep difficulty of understanding oneself fully. Once a child growing up in precarity and now an adult trying to ethically navigate her privileged positions, she writes with honesty and insight about what it means to embrace all of the different versions of themselves a person has been. The author of the influential essay “The Privilege Button,” in this memoir about growing up “in a van by the river,” as her son once describes her childhood, Zeller shows readers what it means to belong to an earth that is always moving beneath our feet, terrifying in her unpredictable changing, but also springing forth new berries and fish and fiddlehead ferns that can sustain a family through this day and the next. A thoughtful consideration of the myriad forms childhood poverty can take and the impacts it can have, this is also a memoir about learning to love the wildly reckless, confused, and brave child she once was. What does it mean to have been the kind of kid who would run away by leaping from a moving van and the kind who would protect her little sister when their father’s foreboding moods settled over the house? Beneath such a childhood's deep forest of shadows, surrounded by unfurling ferns, Zeller became the kind of woman who can write this book that shows us how to see the world around us in such beautiful, magical, compassionate, clear-eyed ways.”
—KATHRYN NUERNBERGER, author of The Witch of Eye
about the author
In the Media
Radio: The Write Question, Montana Public Radio, Fall 2023
Radio: Spokane Public Radio, Fall 2023
APPEARANCES
To book Maya, contact us or her
Sept. 23, 2025 · Wonder of Mushrooms launch, Wishing Tree, Spokane, WA
Sept. 26, 2025 · Reading at Auntie's, to support LeeAnn Bjerken's poetry chapbook, with Laura Read
Sept. 27-30, 2025 · PNBA Fall Trade Show, misc., Spokane, WA
Oct. 10, 2025 · tentative: Auntie's, Spokane, WA
Oct. 17, 2025 · RMMLA Conference
Nov. 9, 2025 · Salish Sea Poetry Festival, Bellingham, WA
Nov. 10, 2025 · Village Books, Bellingham, WA
Nov. 11, 2025 · Elliott Bay Book Company
March 4-6, 2026 · AWP, Baltimore, MD
past
Dec. 19, 2024 · From the Vault, Central Library, Spokane Public Library, WA
Jan. 3, 2025 · Reading with H.G. Dierdorff and Shann Ray, Liberty Park Library, WA
A 2024 Washington State Artist Trust Fellow, Maya Jewell Zeller is the author of out takes/ glove box (2023), chosen by Eduardo Corral as winner of the 2022 New American Poetry Prize; and co-author of Advanced Poetry: A Writer’s Guide and Anthology (Bloomsbury, 2024) as well as the interdisciplinary collaboration, with visual artist Carrie DeBacker, Alchemy for Cells & Other Beasts (Entre Rios Books, 2017). Earlier collections include the chapbook Yesterday, the Bees (Floating Bridge Press, 2015) and Rust Fish (Lost Horse Press, 2011). She is also co-editor of Evergreen: Grim Tales & Verses From the Gloomy Northwest (Scablands Books, 2021). Recipient of a Promise Award from the Sustainable Arts Foundation, a Writing Fellowship from Oxford, and a Residency in the H.J. Andrews Experimental Forest, Maya has presented her work in Madrid, as part of the Unamuno Author Festival, and at the University of Oxford. Maya serves as Associate Professor for Central Washington University and Affiliate Faculty in Poetry and Nature Writing for the low-residency MFA at Western Colorado University. She lives in the Inland Northwest with her children.